Tenor (United States)
Tamino in The Magic Flute. Previously at HGO: Lensky in Eugene Onegin (2015); Ferrando in Così fan tutte and Cassio in Otello (2014); Jaquino in Fidelio (2011); Lysander in A Midsummer Night’s Dream (2009); Benedict in Beatrice and Benedict (2008); Don Basilio in outdoor performances of The Marriage of Figaro, Ernesto in Don Pasquale, Soldier/Tribune/Friend of Seneca/Lucano in The Coronation of Poppea (all in 2006); Missail/Boyar in Boris Godunov, Meleagros in the world premiere of Mark Adamo’s Lysistrata, Arbace in Idomeneo, and Messenger in Il trovatore (all in 2005); Drunkard/Lamplighter in The Little Prince, Romeo/Tony in The Two Faces of Romeo and Juliet, and Emperor in Turandot (all in 2004). HGO Studio artist (2003–06).
About the Artist:
HGO Studio alumnus Norman Reinhardt (2003–06) has been seen at HGO as Lensky in Eugene Onegin (2015), Ferrando in Così fan tutte and Cassio in Otello (both in 2014), Jacquino in Fidelio (2011), Lysanderin A Midsummer Night’s Dream (2009), Bénédict in Béatrice et Bénédict (2008), and Ernesto in Don Pasquale (2006), among others.As a member of the ensemble at Oper Leipzig, he extended his repertoire to include Alfredo in La traviata, Count Almaviva in The Barber of Seville, Don Ottavio in Don Giovanni, Tom Rakewell in The Rake’s Progress, and Tamino in The Magic Flute, all of which he performed under Ulf Schirmer. In particular, Tamino has brought considerable critical acclaim leading to a debut at the Bregenz Festival in David Pountney’s production under Patrick Summers (released on DVD by Unitel). Reinhardt made his debut at the Salzburg Whitsun Festival and at the Salzburg Festival as Tony in West Side Story alongside Cecilia Bartoli and conducted by Gustavo Dudamel. He sang his first Pollione in Norma alongside Bartoli at both the Théâtre des Champs-Élysées and at Festspielhaus Baden-Baden. Current season highlights include role debuts as Belmonte in The Abduction from the Seraglio at Semperoper Dresden and as Robert, Earl of Leicester, in Maria Stuarda at Theater an der Wien and a rare performance of Donizetti’s Maria di Rohan with Washington Concert Opera under Antony Walker.