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Tosca
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October
Friday
23
07:00 PM
October
Sunday
25
02:00 PM
October
Saturday
31
07:30 PM
November
Tuesday
03
07:30 PM
November
Friday
06
07:30 PM
November
Saturday
14
07:30 PM
  • SubjectSubject
  • Running TimeRunning Time
  • AgeAge
  • LanguageLanguage
Language

Sung in Italian with projected English translation

Age

Appropriate for ages 13+

Running Time

2 hours, 32 minutes
Number of intermissions: 2

Subject

A story of deceit set in Rome during one of history's most turbulent times. Truth is nowhere to be found, and even love is tainted by suspicion for the tragic heroine Floria Tosca.

 

In an effort to save the life of her beloved Cavaradossi, Tosca strikes a terrible bargain with the evil chief of police, Baron Scarpia, and is fatally deceived.

 

Intrigue, cruelty, and betrayal swirl about a doomed diva in a riveting drama sung to one of Puccini's most beautiful scores.

 

A co-production of Houston Grand Opera and Lyric Opera of Chicago


Brown Theater, Wortham Theater Center

 

By John Caird

June 1800. Italy has long been under the domination of the Hapsburg dynasty. Napoleon Bonaparte, however, has emerged as a threat to the status quo and Rome is in chaos, without a clear ruler. Baron Scarpia, the chief of police, has become the highest authority. Loyal to the king and queen of Naples, Scarpia seeks to eliminate any remaining trace of Napoleon's attempts to establish a secular Roman Republic.

 

ACT I

The Church of Sant'Andrea della Valle Cesare

Angelotti, a Republican, has just escaped from the Castel Sant'Angelo where he had been imprisoned by Scarpia. Angelotti's sister, the Marchesa Attavanti, has hidden a disguise for him in the church, where the painter Mario Cavaradossi is working on a painting of Mary Magdalene with the begrudging help of the Sacristan. Cavaradossi takes as his inspiration both the Marchesa, whom he has recently seen at prayer, and his beloved Floria Tosca, a prominent opera singer. Cavaradossi recognizes Angelotti and promises to help him escape, but is surprised by a visit from Tosca. Angelotti hides while Cavaradossi attempts a quick conversation with Tosca. She is instantly suspicious of Cavaradossi's cautious behavior and jealous of the woman she sees represented in his painting. Cavaradossi assuages her fears and they make plans to spend the evening together. No sooner has Tosca gone than a cannon shot signals that Angelotti's escape has been discovered. Cavaradossi and Angelotti depart immediately for Cavaradossi's villa. The Sacristan returns with news of Napoleon's defeat by the Austrians. Arrangements have been made for an immediate Festival Te Deum  and a concert at the Palazzo Farnese featuring Floria Tosca. Baron Scarpia, who has come in search of Angelotti, interrupts the preparations. Scarpia and his spies find an empty basket of food and a woman's fan bearing the Attavanti family crest. When Tosca returns to see Cavaradossi, her jealousy is again aroused by his absence. Scarpia preys on her suspicions by showing her the marchesa's fan. When she leaves, Scarpia orders his agent Spoletta to follow her. As the congregation assembles for the Te Deum, Scarpia plans to eliminate Cavaradossi and possess Tosca for himself.

 

ACT II

Baron Scarpia's apartment at the Palazzo Farnese

Scarpia relishes his plan to execute the traitors and seduce Tosca. When Cavaradossi is brought for questioning, the painter denies any knowledge of Angelotti's location. At Scarpia's request, Tosca arrives from the victory celebrations. Cavaradossi is then taken into an adjoining room and tortured. His agonized cries force Tosca to divulge Angelotti's hiding place-the well in the garden of Cavaradossi's villa. The tortures cease; Tosca and Cavaradossi are briefly reunited before Scarpia orders Spoletta to Angelotti's hiding place. As Cavaradossi denounces Tosca for her betrayal, news arrives that Napoleon has actually defeated the Austrians at Marengo. Cavaradossi predicts greater and greater victory for the Republicans, and Scarpia orders him taken away for execution. When Tosca pleads for mercy, Scarpia makes his price clear: she can buy Cavaradossi's life by giving herself to Scarpia. She agrees. Since Scarpia has ordered Cavaradossi's death, a mock execution must be arranged, and he seems to give this order to Spoletta. Tosca makes one further request: a warrant of safe passage so that she and Cavaradossi can leave the country. This done, Scarpia advances to embrace her, and she stabs him to death.

 

ACT III

The Roof of the Castel Sant'Angelo

The distant song of a passing young shepherd and church bells toll the approaching dawn. Cavaradossi is brought into the castle yard to prepare for his death and his thoughts turn to Tosca. He is attempting to write a final letter to her when she appears. She shows him the warrant of safe passage, explains the mock execution and describes how she killed Scarpia. Tosca and Cavaradossi dream of their future happiness together. As the soldiers assemble for the execution, Tosca instructs Cavaradossi to feign his death and remain motionless until she can confirm it is safe to leave. After the soldiers depart, she discovers she has been betrayed: Cavaradossi is dead. Spoletta and his men try to arrest Tosca for the murder of Scarpia, but she is too quick for them. Vowing to confront Scarpia before God, she takes her own life.

 

CAST

Liudmyla Monastyrska
Floria Tosca
Kelly Kaduce
Floria Tosca (Nov. 14)
Alexey Dolgov
Mario Cavaradossi
Chad Shelton
Mario Cavaradossi (Nov. 14)
Andrzej Dobber
Baron Scarpia
Weston Hurt
Baron Scarpia (Nov. 14)
Angelotti (Nov. 14)
Kyle Albertson
Sacristan
David Cangelosi
Spoletta
Ben Edquist
Sciarrone
A Young Shepherd

CREATIVE TEAM

Patrick Summers
Conductor
Bradley Moore
Conductor
John Caird
Director
Bunny Christie
Set & Costume Designer
Duane Schuler
Lighting Designer
Fight Director
Richard Bado
Chorus Master
Karen Reeves
Children's Chorus Director

HGO Orchestra

Orchestra

HGO Chorus

Chorus
Children's Chorus

* HGO debut
** HGO Studio Artist
*** Former HGO Studio Artist

“Marvelous production, with voices that soared and music that bedazzled” CultureMap Houston              


“Superlative stars….Opera content doesn’t get much juicier…”  Houston Chronicle

“Superlative stars….Opera content doesn’t get much juicier…”
-Houston Chronicle